Well, here it is…the big announcement…
HeavyHandsInk is moving and becoming a PRINT MAGAZINE!!! Here is our new site:
http://heavyhandsink.wordpress.com/
I hope you all enjoy this new project.
Maxwell Baumbach has a major announcement that will forever change the young publication. Sounds interesting, right? Come back to the site on Friday, and you will find out what it is.
George Moore
Buddha Caves-
Deep in an earth that does not give back light,
down five guano splattered cathedrals of rock,
along a knotted rope the monks use without candles,
the Dante tourist descends through heaven.
Below on a platform made of curled wood,
strung with a loose tapestry of old saffron robes—
curtains to deter the bats—we sit and breathe an earth
that has known the origin of darkness.
Ash Krafton
By the Side-
He seeks a key.
His quest takes him through realms unnumbered
sprinting after a dream
I am tugged along in his wake, an afterthought to his actions
my place by his side a given, a constant
No longer in his line of sight.
I do not remember the moment I had faded from notice
gradual erosion of existence; silenced
when I spoke up or, more often, answered with a
non-committal
noise, assenting without hearing. He charges on, chasing his goals
choosing his paths, changing his destiny
changing mine
If only a mirror! Perhaps my reflection would catch his attention
He’d see what burns in my eyes, stings my lips to be spoken
I’m more than a shade, more than a shadow
His gaze toward the horizon, he
overlooks his greatest resource
He seeks the key
never realizing I am the door.
——
Undone Before Begun-
Like a rough shove between the shoulders I am urged onward toward an unseen end.
Unseen but not undreamed:
this ungift-like gift of foresight makes me dread what is to come
and already I mourn for what has not yet been lost. My future has been stolen—
possiblys and could-bes and maybes etched into stone
as immutable as the memories and certainties of the committed past.
Undeniable.
What is hope? What is dare? What is try
when all that lies ahead is preordination?
Architects built this destiny with flawed blueprints, unknowing
I, the instrument of their operations was, itself, flawed—irresolute and unscrewed
to the sticking point because my heart had changed.
My foundation crumbles and gravity pulls me to my fate
like light toward the event horizon where
time slows down—drags to a still stop—and I am crushed at the core.
Unsurvivable.
All this I see: the ungift-like gift is not prophecy but hindsight,
a remnant of time travel and the black holes that swallow us when we dream.
Ironic that a heart could change, and, yet, change nothing.
If only unwishes came true.
——-
Bio: Pushcart Prize nominee Ash Krafton is a speculative fiction writer whose work has appeared in several journals, including Niteblade, Ghostlight, and Silver Blade. Ms. Krafton resides in the heart of the Pennsylvania coal region and is an active member of Pennwriters, a national writers group. You’ll find her lurking near her website Spec Fic Chick (http://frontiernet.net/~ashkrafton).
Erik Estabrook
The Heart-
If you testify and suare it by your heart,
then maybe i’m not just banging my head against the wall,
I wear it and suare upon my heart,
someday we’ll both become our song,
I hear twilight birds in turquoise light above,
singing out their hearts for love’s song,
a solitary bird I’ve become,
but everyone needs shelter sometime,
I’ll tuck you in under my wing, my love
and this heart will swell up like the moon full of richness,
name our love and it’ll be named,
pick the fabric and it’ll be hewn,
pick the tempo and I’ll give it rhythm,
testify by the heart and never lie to the heart,
and I’ll be there poeting our love.
Lorna Gilbert
after he died-
personal effects shoved tight against a damp, grey wall
bloodless arms laid over a silent chest
an edict from proletarian etiquette of yesteryear
a different nurse
pushing the same medication cart
shift after shift
passing pills to one less resident than before
an open book
pages still
no reader
his story: laboured breathing, Cheyne-Stokes
oscillating, crescendo-decrescendo
no time left to watch the sun gently rouse a reluctant day.
in a high-rise a tired mother rocks her baby back to sleep
to the mesmerizing murmur of a street cleaner
listens to it waltz up the empty boulevard
whisking debris, blood, and tears
the tangible remains of dreams gone astray
yet in the cool, undying quiet of the cemetery
when half expecting
to greet his god
or something else
or nothing
but finding those he lost
singing, dancing
he forgives
all is forgotten.
——-
Lorna Gilbert is a writer/poet from NL, Canada.Janet Kuypers
Build Your Own Cross-
why be a carpenter
and build your own cross
when Walmart
can do it for you
selling mass produced
2’ tall
wooden crosses
with glued plastic flowers
to hammer into dirt
at roadsides
for accident victims
why be a carpenter
why build your own cross
when Walmart can do it for you
—-
Thinking. I Hate That.-
I think the reason why I’m doing this
is because I’m lonely.
I’m sorry. I’m rationalizing.
I look over and see the bartender’s yellow bracelet
and I imagine having a conversation
and I ask him if there’s a cancer story
and he says no
and he asks about my blue bracelet
(which happens to have ALS at the top for us to see)
and I have stories with MY cancer bracelet
that I’m not even wearing,
which I won’t get into
and I think about the cancer
and he asks me about the ALS
and then I start thinking.
I hate that.
—-
Left With a Hole-
you ever see tee vee shows, or in the movies
how some protagonist would fall into a coma
i don’t know from what, a gun shot, a car crash
well, every time they wake up from their coma
and they’re under from like four weeks to four years
they come to and they’re mentally just fine
they talk in complete sentences,
and they remember what happened to them
right up until the catastrophe
But let me be the voice of experience
in the real world, that’s not the way it goes
you don’t remember what happened right before
the coma began, you’ll wake up confused
because your long-term memory never got the chance
to save your short-term memories from that fateful day
when you wake up, you’ll have to train yourself
to walk and talk and eat again
you’ll fall out of your hospital bed trying to leave
you’ll want to kill the people who did this to you
you’ll want to scream your story to the world
as they put you in restraints at night
you know, for your own protection
you’ll want to rip that food tube out of you,
but you’ll be afraid to put food in your mouth.
look, you’ll have to remind yourself
that you’ve done this before, it’s not hard, everyone does it
put some food on a fork, put it in your mouth,
remove fork, start chewing, and just swallow.
I know it seems strange, but you can do this.
you have to build your life again, piece by piece,
I mean, you did this from scratch when you were a baby,
you’re an adult now, you can retrain yourself
people will ask you if you remember what happened to you
that fateful day, and they’ll think it’s just like the movies
and everyone just snaps out of their coma good as new
you won’t know how to tell them
that you’ll never be as good as new
and nothing you can say will make them understand
that even though you woke up,
those bastards who did this to you, they took so much
that you can’t even remember
the seconds before your life was forever changed for the worse.
you’re left with a hole. they even took your memories
of the last seconds of your life from you
——-
Janet Kuypers is a professional performance artist, a writer, photographer, and a literary magazine editor, while running Scars Publications, which hosts two literary magazines, publishes books and releases CDs. She has had 53 books published (poetry, prose, novels and art), has sung in 3 acoustic bands, and worked with 8 music groups (combining her poetry with music. Her CD releases (38 in 2008) appear at iTunes and other online vendors, and she also produced a monthly iPodCast and an Internet radio station (2005-2009), found through http://scars.tv or http://www.janetkuypers.com. She is also the host of the weekly poetry open mic at the Cafe in Chicago (http://www.chaoticarts.org/thecafe).
Janet Kuypers
So-
so the hotel I was in
didn’t have a continental breakfast
so i looked for a diner
for a bagel for breakfast
so i pulled into some dive
and i just sat there
i kept me head down
i don’t like looking at strangers
so i kept my head down
looking at my writings
and i didn’t even notice
my head was buried in my words
but the lady walked over
and dropped the bomb
of liquid into the coffee cup
into my upturned glass
i watched this black mass
sloshing around, contained but violent
as she walked away
i don’t like coffee, you see
and i could have stopped her
said no thanks
but this was my fault
as much as it was hers
so there i was
staring at this coffee
that i don’t even like
so i’ve got this bailey’s flask in my pocket
i guess that tells you something about me
but
if i’m going to have coffee
i’ll sweeten it with anything
so my eyes dart right, then left
then right again
make sure no one’s watching me
so i open the flask
under the table
then
slowly drizzle in the creme
i watch it form a mushroom cloud
from within that contained bomb
i try to remember where i am
where i’ve been
i didn’t know
that on the other side of the country
you just died
i just looked at my coffee
that i don’t even like
and wondered if i should drink
—-
Janet Kuypers
observer’s love poem-
maybe I’m not a writer
maybe I’m not an artist
maybe I’m an observer
like an astronomer
looking out past the solar system, past the Kuiper Belt
looking out into the universe
trying to understand what makes everything
everything
I travel around the world
learning different histories, different cultures
I fly in airplanes
I jump from airplanes
I pilot airplanes
trying to get closer to the stars
molecule by molecule,
we originate from stars
and I know we are all linked,
our bodies formed from stardust
but outer space
is a violent place
violent explosions create the stars
and our earth has earthquakes,
avalanches, volcanoes
tsunamis, typhoons
and in all this madness
somehow I’ve found you
with you I have walked on the tops of glaciers
with you I have watched solar storms
from near the Arctic Circle
with you I have walked through the gates
of Hitler’s first concentration camp
with you I have sailed from island to island
retracing the Origin of Species
I bought a balalaika for my guitarist in Russia
I’ve even held your hand at the Great Wall of China
as I said before,
I’m only an observer
and with these observations,
I thee wed
because I will never let you go
I’ve seen galaxies collide
I’ve seen comets smash into planets
I’ve seen supernovae and the death of stars
and in all of that, I still found you
as I said, I’m only an observer
but I’ve found what I’ve been looking for
I’ll tighten my grip on your hand
because I don’t ever want to let you go
——-
Janet Kuypers is a professional performance artist, a writer, photographer, and a literary magazine editor, while running Scars Publications, which hosts two literary magazines, publishes books and releases CDs. She has had 53 books published (poetry, prose, novels and art), has sung in 3 acoustic bands, and worked with 8 music groups (combining her poetry with music. Her CD releases (38 in 2008) appear at iTunes and other online vendors, and she also produced a monthly iPodCast and an Internet radio station (2005-2009), found through http://scars.tv or http://www.janetkuypers.com. She is also the host of the weekly poetry open mic at the Cafe in Chicago (http://www.chaoticarts.org/thecafe)
Kevin Heaton
To Hell With It-
Although the
human
experiment has at
times exhibited
signs of
promise;
indeed,
demonstrated a
desire to
elevate.
The rudimentary
levels of
development
achieved thus far
have consistently
fallen short;
the intended
goals unrealized.
Therefore, the
process should be
abandoned.
—-
Kevin Heaton
Depravity-
What utter
nonsense
is man?
For he
alone
amongst God’s
creatures
possesses
the age-old
yearning
desire
to seek with
zealous fervor
his own
destruction.
——-
Kevin Heaton currently lives in South Carolina, formerly from Oklahoma where he published Country Music. His work has appeared in: Heavy Hands Ink, Right Hand Pointing, Counterexample Poetics, Elimae, Foliate Oak, Calliope Nerve, Full of Crow, Carcinogenic Poetry, The Recusant, and others.
Kevin Finucan
Skyscraper-
You told me my tower was the death of your flowers,
while you stood within its walls, that held you safe against rage of the
weather.
And every drop of water sliding freely down every glass pane
was a subtle tribute to the sweat along my forehead.
You told me my eyes were mocking your American dream
while you quietly asked me to offer you peace and a paycheck.
You sang of giving your spirit for love
while you ate out of hand that cradled you from above.
You traced your finger along the curve of my back
and applied pressure to the twist you found there, calling it art,
while the lines you followed formed the map
that carried you through the storm.
You called my skyscraper the end of beauty,
how it stood in proud defiance of the sky.
You called my hands, pressed in reverence against its walls, a disease,
while it is only against your cruelest lies that they will always crease.
H.D. Whatley
Daytona Dad-
We drove the old Ford wagon across the gulf states of the South
from Louisiana all the way to the sunshine state of Florida.
We stayed with my aunt and uncle on their farm in Lake Helen
with orange groves and lots of room to roam.
I played with their collie dog in the pond
and rode a horse for the very first time.
We went on down to a place called Marineland
where I saw the dolphins jump through hoops.
Then on to Disney World in wet and rainy Orlando
where we went 20,000 leagues under the sea.
We took a ride in a glass-bottomed boat on a river
where the monkeys jumped on board to greet us.
Then on to Daytona Beach for the day
where Dad was stationed during the war.
The army mechanics would soup up their jeeps
and Dad and his buddies would race them at night.
He was only a nineteen year old boy then
but now he’s dead and gone and I miss him so.
Ricky Garni
HAVE YOU HEARD THE ONE
ABOUT THE JOKE
I know it sounds like
a bad joke but I made
a boat out of jokes
my plan to sail away
the mast & sail was a joke
about a guy goes to the movies
with his pet chicken
the jib was about a mother
in law, I gotta tell ya–
the rudder was a joke about
a priest and a rabbi go
into a bar and for
the boom I didn’t use
a joke at all I just used
a microphone boom and
they were all bad jokes
but as any seafaring man
knows nothing matters, nothing
well it only really matters
that the hull is sound and
that it doesn’t leak water
so it stays swift and true
the horizon is clear
the wind is at your back
and so I made a joke, great
about love and forgiveness
I made it into a hull and just to make
sure I added a pet monkey,
an ex-wife, a farmer’s daughter
airplane food which is terrible
a guy who walked into a bar
who dares not cross the street
and a heart that says knock
knock who’s there followed
by a long silence and everybody
laughs and laughs and laughs
and boy are his arms tired
at these prices, you never will
and I sailed on and on and on
I had no fear and the craft
was true the horizon was steady
N Renner
The Ring
I’ve seen her
I’ve seen her with you and she looks amazing
she is one of those women
that wears a dress to the food market
with nude pumps
her hair looks perfect and shiny
all the time
and her blue eyes
sparkle
compared to my plain brown
she has two pairs of earrings
for each outfit
just in case
and so you know
while you’re sneaking off
to meet her at that bistro
I’m pawning the ring for double
what you paid for it
and spending the money
on that boat you always wanted
——-
Bio:N Renner began writing shortly after her father died when she was eight years old. What started out as rhyming lines about rice and her nephew Bryce, soon turned into life stories in a few stanzas. Still writing in a dark corner, N resides in Utah with her husband, two daughters, and a tortoise.
Counting. By Kathleen Herboth
One girl, One heart.
Too big of heart
Too big of a mouth
Too big of eyes,
Shedding too big of tears down too fat of cheeks,
Drenching the collar of an old sweatshirt
Three big words
That get caught up among three ways of being:
Body, mind, and soul.
Three times I’ve tried to get my point across,
And three times I have failed to show you.
For there are many stars filling up the sky
For there are many hands that can hold mine
For there are countless summer nights,
Promising adventure and something new
But forgive me for saying,
I’ve lost the count of days,
The pages got wet and ruined
The Oregon rain won’t hold out,
Drenching every inch of this place,
There is no way to escape the crying city
Portland weeps. I weep. I count not knowing why, or for what,
But I keep count, so at least I have something to hold on to.
——-
Biography: Kathleen Herboth resides in Portland, Oregon where she keeps busy among friends, family, playing soccer, and writing about everything she experiences. Her favorite mode of literature is poetry, where lyrical rhymes express her every day encounters.